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The Board of Trustees is elected by the membership. The Board of Trustees maintains final authority over any decisions of the Executive Committee and staff.

2017 Board of Trustees 


Stephen Aron
is a well-established figure on the American classical guitar scene. He performs regularly across North America and Europe and has released eight CD’s to critical acclaim. Notably, the music Aron has recorded is almost entirely of his own creation, either by arrangement or composition, and includes volumes of music of Chopin, Mendelssohn and Schumann, and the complete guitar works of Burle Marx. His works are published by Tuscany, Mel Bay and Clear Note. Aron holds teaching posts at the University of Akron and Oberlin Conservatory of Music. Aron was a GFA Board member 1989-92, and acted as Chaiman, 1990-92.
Sean Beavers
is active as a guitar soloist, chamber musician, scholar, and teacher. He has performed in Europe as well as in North and South America, including performances on West Virginia Public Radio and Bolivian television. He has appeared as a guest artist at the Asolo Song Festival in Italy, the Alexandria Guitar Festival near Washington, D.C, and the Saudade Festival in central Virginia. His principal teachers were Mary Akerman, Adam Holzman, and Bruce Holzman. Beavers earned the Bachelor of Music degree from the University of Texas at Austin and the Master of Music and Doctor of Music degrees from Florida State University. Beavers serves on the Education Committee of the Guitar Foundation of America.Beavers serves as Associate Professor of Music at Liberty University, where he also serves as Associate Dean of the College of Arts and Sciences.
Joanne Castellani
and her husband, Michael Andriaccio, have enjoyed a celebrated career as one of the foremost guitar duos in the world. Having received numerous awards and distinctions including two National Endowment for the Arts Solo Recitalist Fellowships and a scholarship to the master classes of Andres Segovia in Spain, they have toured internationally as recitalists and concerto soloists. The Duo has recorded ten acclaimed CDs, two named “Best of the Year” by Fanfare Magazine and American Record Guide and two DVDs. She is cofounder, President and CEO of Fleur de Son Classics, a record label with over one hundred acclaimed titles. Joanne has served as Board member and Executive Director of the Guitar Foundation of America International Competitions and is currently Artistic Co-Director of the JoAnn Falletta International Guitar Concerto Competition.
Mark Delpriora
is co-chairman of the guitar department at Manhattan School of Music and is on the faculty of the Juilliard School in the Undergraduate Studies department. Delpriora’s compositions are published by Editions Orphee,  Berben Edizioni Musicali, and Guitar Arts Publishing. Sections of his work "Variations on a Theme by Sor" were used as the set piece for the 2011 Guitar Foundation of America Competition. He has been on the juries of several international competitions including the Naumberg, Guitar Foundation of America, Lagonegro (Italy),  Barrios and the D’Addario Concerto competitions. He has recorded for Koch International Classics, Soundspells, Philips, Tzadik, and CRI and has 6 CDs with flutist Laurel Zucker on Cantilena Records.
Alexander Dunn
holds a Bachelor and Masters Degree in Performance from the San Francisco  Conservatory of Music and a Ph.D. in Musicology from the University of California, San Diego, where he  was a protégé of Pepe Romero. His ground-breaking dissertation, “Robert de Visée’s Theorbo Works: An I  introductory Study” is highly regarded, as is his research into nineteenth century performance practice.  Dr. Dunn’s extensive summer studies included nine years at the Aspen Music Festival under Oscar Ghiglia  and four summers at the Salzburg Mozarteum. He is a popular adjudicator and competition judge. Dr. Dunn is on the Board of Examiners for the Royal Conservatory of Music Toronto, and currently heads what is considered one of Canada’s top guitar programs at the University of Victoria and the Victoria Conservatory of Music.
Eric Dussault
holds a Bachelor Degree in Performance from Laval University, and a Master Degree from the  Quebec Conservatory, both institutions being located in Quebec city, Canada. After publishing many books  with Les Productions d’OZ at the dawn of the new millennium, he started to work part-time as a music  engraver, before turning full-time for the company in 2004. The scope of his work at Les Productions d’OZ ranges from music typesetting, graphic design, webmaster, production, and also representing the company in various conventions and festivals. Now a share holder in the company, he is getting more closely involved in the different aspects of the management of Les Productions d’OZ and Doberman editions.
Julian Gray
His career over three decades, include critically acclaimed recordings on the Dorian-Sono Luminus label and concert appearances and masterclasses throughout the U.S., Canada and Europe. His work in helping to establish the guitar duo repertoire include his many arrangements for duo with partners Ronald Pearl and Serap Bastepe-Gray and the commissioning and premieres of works by composers such as Roberto Sierra, David Leisner, Gilbert Biberian, Loris Chobanian, William Bland, Oliver Hunt and Benjamin Verdery. His students are frequent top prize winners at major national and international solo guitar, guitar concerto and chamber ensemble competitions and his many former students are members of University, College and Conservatory faculties in the U.S., Europe and Asia. Julian Gray is on the faculties of the Peabody Conservatory of the Johns Hopkins University where he is Chair of the Guitar Department and The Shenandoah Conservatory of the Shenandoah University where he is Professor of Music and Director of Guitar Studies.
Stephen Goss
His music receives hundreds of performances worldwide each year and has been recorded  on over 60 CDs by more than a dozen record labels, including EMI, Decca, Telarc, Virgin Classics, Naxos,  and Deutsche Grammophon. Recent work includes several projects with the guitarist John Williams, who  has recorded and toured Steve’s Guitar Concerto (2012) with the Royal Philharmonic Orchestra. As  composer-in-residence for the Orpheus Sinfonia, Steve wrote the Piano Concerto (2013) and the Concerto for Five (2013). Steve has also had his music performed by The Russian National Orchestra, The China National Symphony Orchestra, The Royal Liverpool Philharmonic Orchestra, The RTÉ National Symphony Orchestra, and the Barcelona Symphony Orchestra. Steve’s Albéniz Concerto (2009) for guitar and orchestra was released to great critical acclaim on EMI Classics in 2010. Steve is Chair of Composition at the University of Surrey, UK, and a Professor of Guitar at the Royal Academy of Music in London. He was born on 2nd February 1964.
Nathaniel Gunod 
is a VP and Senior Acquisitions Editor at Alfred Music. He was the founder and  Artistic Director of the National Guitar Workshop’s Classical Guitar Summit and an instructor of guitar at  the Peabody Conservatory of Music. He toured nationally with the Gunod-Rosser Guitar and Harpsichord  Duo and has been a judge for several competitions, including the GFA, The Beatty Music Scholarship  Competition, and the Peggy and Yale Gordon Competition at Peabody Conservatory. Gunod created and  edits Alfred’s Classical Guitar Masterworks series, which includes editions from Nicholas Goluses (Bach), Marc Teicholz (Sor), Julian Gray (Mertz), Scott Tennant (Tarrega), and Jeffrey McFadden (Coste). The editor of Scott Tennant’s Pumping Nylon, Andrew York’s Jazz for Classical Cats, and Martha Masters’s Total Classical Guitarist, he is the author of Classical Guitar for BeginnersTeach Yourself Classical Guitar, and Beginning Theory for Adults and has published numerous arrangements for guitar. He was the Chief Content Officer at, where he oversaw the creation of over 2,500 online music lessons.
Bryan Johanson 
is an active concert guitarist, composer, and author who has taught at Portland State  University since 1978.  A Professor of Music and past Director of the School of Music, Johanson retired in  January of 2016 to pursue composing, performing and writing.  His articles and reviews on the guitar have  appeared in SoundboardGuitar ReviewAcoustic Guitar and American Lutherie.  Johanson’s compositions  have been published by Guitar Solo Publications, Mel Bay Publications, Doberman-Yppan, Les Productions  d’OZ, and more and his music has been performed and recorded by the Chamber Music Society of Lincoln Center, David Starobin, The Los Angeles Guitar Quartet, David Tanenbaum, and many others.  He has won numerous composition prizes nationally and internationally.  Johanson’s music is recorded extensively and appears on record labels such as Albany, Bridge, EMI, GSP, Gagliano Recording, Naxos and Cube Squared Records.  His compositions have been recorded on Grammy nominated, and Grammy winning albums. Johanson is currently a member of the Oregon Guitar Quartet, which has released seven highly successful recordings.
William Kanengiser
is a noted soloist, chamber musician and professor of the classical guitar.  A longtime  board member of GFA, he is perhaps best known for his stand-up comedy routine at the 2005 Convention  where he infamously imitated 22 guitarists. First Prize Winner in the 1987 Concert Artists Guild and 1981  Toronto Competitions, he has recorded four solo CD’s for the GSP label. As a founding member of the Los  Angeles Guitar Quartet, Mr. Kanengiser has toured worldwide and recorded over a dozen CD’s, many featuring  his arrangements and compositions. LAGQ was awarded a GRAMMYâ for Best Classical Crossover Recording in 2004 for their “LAGQ’s Guitar Heroes” CD. A dedicated masterclass instructor, he is an Associate Professor of Practice at the USC Thornton School of Music, and has taught there since 1983. He was a recipient of the “2011 Dean’s Award for Excellence in Teaching” and the “2013 Dean’s Award for Excellence in Professional Endeavors”. 
Petar Kodzas
comes from a musical family. Petar was guided toward a career in mechanical engineering until he discovered a 19th century parlor guitar in his grandfather’s closet. It was love at first sight. Before graduating from the University of Belgrade, he had toured and recorded as a lutenist with an early music ensemble, played over 100 shows at the professional musical theatre, sat in jazz sessions, and performed throughout the former Yugoslavia as a musical ambassador for the international organization Jeunesses Musicales. Following his studies in Europe, Kodzas moved to the United States. Peter is currently Senior Instructor in Guitar for the Eastman Community Music School. As a clinician, he has presented for American String Teachers Association, Guitar Foundation of America, College Music Society, and New York State School Music Association Conference.

Frank Koonce
has directed the guitar program at Arizona State University since 1978 and is internationally acclaimed as a performer, teacher, and writer. He produced an authoritative edition of Bach’s solo lute works and other publications through Mel Bay, Kjos, and Productions d’Oz. Additionally, he recorded Castelnuovo-Tedesco’s “Platero y yo” and is featured in a live concert video with Nikita Koshkin. A founding partner of Soundset Recordings, he is now President of the label. Mr. Koonce has served on the GFA Advisory Board, including two terms as Chair, and was the Pedagogy Form editor for Soundboard for many years.
 Randy Leff 
is a business lawyer with over 30 years of experience trying and resolving “bet the company”  disputes in both state and federal court.  He brings to the table substantial knowledge and experience for  his business clients, who appreciate his consistently customized, high-quality legal services with his  signature enthusiasm, creativity and passion. By working collaboratively with his clients, he is able to solve  problems creatively and minimize the impact of litigation. Many of Randy’s clients ask him to become a member of their management teams in the role of outside general counsel.  In this capacity, he can further influence the business by bringing his business acumen, entrepreneurial zeal and problem solving skills to the management team. Randy has been playing guitar for more than thirty years. During that period he has had the honor of studying with Peter Yates, John Dearman and Martha Masters.
Richard Long
was the editor of Soundboard, the Journal of the Guitar Foundation of America, from 2001 to 2012. He has a Ph.D. in European History from Florida State University and has written many articles on the period of the French Revolution and Napoleon and on the history of the guitar during that era. He has also published dozens of transcriptions, arrangements, and critical editions of music for the guitar, solo and in various ensembles. He is the owner of Tuscany Publications, specializing in music for the  classical guitar. He has performed in various chamber ensembles, including Camerata (a quartet consisting of violin, viola, cello, and guitar), and in a series of concerts of rare music for machete and guitar in California and Portugal with the late John King.

John Olson
is President of the New York City Classical Guitar Society. In this role since 2007, he has revitalized the organization and made it a thriving and central part of the New York guitar community, presenting one of the city’s most successful guitar concert series and producing a highly-regarded monthly series of educational forums. As a musician, his teachers include David Leisner and early music specialist Rick Erickson. He performs regularly in a number of ensembles. Also a scientist, John received his Ph.D. from MIT and has worked in biomedical research for over twenty years. He joined the Board of Trustees in 2014.
Stephen Mattingly
Has been warmly received by audiences as a soloist and founding member of the  Tantalus Quartet. As recipient of the Theodore Presser Award, he recorded the complete guitar chamber  works by Franz Schubert. Stephen enjoys a vibrant career as Assistant Professor of Guitar at the University of  Louisville. He is a member of the Kentucky Arts Council Performing Arts Directory and has been featured at  Weill Recital Hall at Carnegie Hall, the Silesian Guitar Autumn in Poland, Panamá Guitar Festival, GFA  Convention, Iserlohn Guitar Symposium in Germany, and the Columbus State Guitar Symposium.
Helene Rottenberg 
is a Professor of Music at Madonna University in Livonia, Michigan, and also taught at  the Herb David Guitar Studio in Ann Arbor for 39 years.  She has a MM degree from the University of Michigan  and was a student of the late Argentinean guitarist Manuel Lopez-Ramos.  Helene has performed extensively in  the Midwest- particularly in the Detroit/Ann Arbor area, since 1975. She regularly performs in a flute/guitar  duo, Divertimente, with flutist Susan Lazar and has recently joined with Chicago guitarist Pamela Kimmel to form the Cecilia Guitar Duo. She has been studying Iyengar Yoga since 1976 and has been teaching yoga since 1986. She currently teaches three hatha yoga classes a semester to college students at Madonna University and maintains a private yoga studio in her home.  She credits the yoga practice with allowing her to play the classical guitar pain-free for the past 35 years!
David Tanenbaum
Has performed in over 40 countries, and has had works written for him by many prominent composers, including Hans Werner Henze, Aaron Jay Kernis, Terry Riley, Lou Harrison and Roberto Sierra. His more than thirty five recordings can be heard on EMI, New Albion, Naxos and other labels. He has toured extensively with Steve Reich and Musicians and has worked with conductors such as Esa-Pekka Salonen and Kent Nagano. He is a member of the Pacific Guitar Ensemble and the San Francisco Contemporary Music Players, and he is Chair of the Guitar Department at the San Francisco Conservatory of Music.
Marc Teicholz
won first prize in the 1989 International Guitar Foundation of America competition. He has  toured extensively throughout the United States, Canada, Europe and Russia, receiving critical acclaim for his  recitals and master classes. Teicholz also has toured Southeast Asia under the auspices of the U.S.I.A. Artistic  Ambassador program. He has recorded for Naxos and Sugo records and his solo CD of waltzes (“Valseana”)  recorded on vintage instruments with GSI was named by Acoustic Magazine as one of the 10 best CDs of 2011.  Teicholz has published an edition of Fernando Sor with the Alfred Music Company and of Ernesto Nazareth with Les Productions D'Oz. He graduated magna cum laude from Yale University and received an M.M. from the Yale School of Music and a J.D. from the Boalt School of Law at the University of California–Berkeley. He is on the faculties of California State University, East Bay and the San Francisco Conservatory of Music.

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