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Additional tributes to Matanya Ophee by Peter Danner, Graham Wade, and Stanley Yates

Danner

Wade

Yates

 

In connection with Walter Clark’s article, “The Origins of the Romero Quartet,” in this issue of Soundboard—specifically page 15, which discusses Celedonio Romero’s US debut at the Lobero Theatre in Santa Barbara on June 13, 1958—Peter Danner, who attended that performance, provides Soundboard readers this image of the program.

Page 1, Page 2, Page 3, Page 4.

 

Errata to “Two Autograph Manuscripts of Julia Florida by Agustín Barrios: A Comparative Analysis” by Rico Stover (Vol. 43, no. 4)

 Fig. 6: Restored the omitted ES staff 


Fig. 7: Restored the omitted dotted quarter on first beat in ES

Fig. 11: In ES, corrected “spresivo” to “spresiva”

Fig. 13: Corrected middle voice in CR to D-E

Fig. 14: Left-hand fingering in CR corrected

Fig. 18: Made glissando line more prominent in both CR and ES 

Fig. 21: Put 2nd-string marking on top voice in ES

Fig. 26: Cosmetic correction of diamond-head note for harmonic note D in both CR and ES

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